2021
Honorable Mention
Michael Jones McKean
My work explores the nature of forming objects in relation to folklore, technology, anthropology, and mysticism. My sculptures court an interest in deep time, timescales and their collapse, in the process decentering anthropocentric registrations of meaning and event.
The Ground 60x16x15' 2017 dimensional lumber, steel, plaster, paint, burlap, lighting, artificial plants, plastic, wigs, prosthetic silicone, acrylic eyes, fabric, makeup, clay, dirt, sand, rags, resin, grout, urethane, bed, funerary bouquet, hazer, climate control chambers. Containing: elements, minerals, vegetal/seed samples, rocks, meteorite fragments, marine samples, fossils, Atlantic Coastal Plain artifacts
The Ground (detail) 60x16x15' 2017 dimensional lumber, steel, plaster, paint, burlap, lighting, artificial plants, plastic, wigs, prosthetic silicone, acrylic eyes, fabric, makeup, clay, dirt, sand, rags, resin, grout, urethane, bed, funerary bouquet, hazer, climate control chambers. Containing: elements, minerals, vegetal/seed samples, rocks, meteorite fragments, marine samples, fossils, Atlantic Coastal Plain artifacts
Proxima Centauri b. 74x40.5x2" 2017 A cold-cast, metallic alloy, wall sculpture depicting a group of anthropologically diverse hand axes embedded in a carved, low-relief solar panel. This work — one of 9 others within the series — was exploring the nature of forming objects in relation to folklore, technology, anthropology, and mysticism
Sister Giving Birth 84x84x39" 2013 A sculpture depicting an ancient olive tree in the throes of both death and renewal, fabricated in stainless steel and resin. Growing from its trunk, a wonky psychedelic ring suspending a hair braid then re-sculpted in low relief, which levitates near a circle-form